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ten scenes from French cinema that we by no means get bored with

Chuckle, the cinema doesn’t snicker with that! From cult sequences to hilarious scenes, French comedies have lengthy performed with our zygomatics. Non-exhaustive choice.

The disappearance of the turd of Bernard Menez in “Le Chaud Lapin”, by Pascal Thomas (1974)


“The whole lot escapes me”, thinker Bernard Menez in The Heat Rabbit, a deal with of seventies and unbuttoned comedy, signed by the too underestimated Pascal Thomas, and shot within the Drôme. Gone to land a peach within the garrigue due to clogged waters within the vacation residence, the indescribable Bernard Menez has his turd stolen, with out his data, by two facetious children geared up with a plastic shovel mounted on an extendable deal with . When the cagueur turns round, like everybody else, to admire his work, he finds himself nose to nose with absolute vacancy. Marvelous joke, which plunges its sufferer into unfathomable abysses of perplexity. “It is the Ventoux that drives us loopy”, thinks his good friend is aware of Jeremiah Couston

The nocturnal supper in “Calmos”, by Bertrand Blier (1976)


Forty years earlier than #BalanceTonPorc, Bertrand Blier pays for his spherical of giggles with two boastful misogynists who make buddies like pigs whereas having time. Paul and Albert (Marielle and Rochefort, related geniuses) cover their loaves (of natural bread) in a twittering marketing campaign to flee the harassment of fine girls who solely need their our bodies. Relax, comedy that goes on the top, makes Rochefort a Brad Pitt of Montrouge traumatized by these girls to the purpose of getting evening terrors. That Marielle heals with loads of chilly cuts – pâté de tête, Burgundy ham, garlic sausage, the movie whets the urge for food – in the midst of the evening, simply to learn twice from the primary sleep, the most effective. ” I am not hungry “, whined Albert. “There’s an excuse, thunders the opposite. Watch out Albert, if you happen to begin listening to your self, you are good to return to Geneviève! […] The admirable ldl cholesterol that we’re going to pay for! It is nonetheless higher than barbiturates. » The nice meals of the good assholes, a deal with. —Marie Sauvion

The shallot liqueur in “Les Bronzés font du ski”, by Patrice Leconte (1979)


“Moreover, good luck above all! » warns Jean-Claude Dusse earlier than the Bronzés style the shallot liqueur, seasoned with garlic juice after all, supplied by the mountain individuals who took them in. To ship all schuss within the throat in any other case “it burns your tongue”… On this climax of the movie, the Splendid is on the high. The silly and depraved rednecks endure an irresistible karmic backlash, amplified by an implacable sharp montage as quickly because the troupe raises their elbows: Balasko smashes his head on the desk, Chazel collapses, Lhermitte and Blanc cling to one another. to the opposite and Jugnot spits an imaginary fireplace. A burlesque escalation dotted with cult traces: “It unblocks the bathroom! » however “It is coming again.” An everlasting style of coming again to it, this twist-gut of enjoyable. — Sebastien Mauge

The veterinarian Jean Carmet errors Gérard Depardieu for a canine in “The Fugitives”, by Francis Veber (1986)


Peak of everlasting hilarity on this third a part of the adventures of the duo Pierre Richard-Gérard Depardieu: the gangster Lucas has been shot within the leg. His “kidnapper” François Pignon has no different resolution than to take him to be handled by Mr. Martin, “daddy’s good friend”, who isn’t a physician. Certainly, Mr. Martin (Jean Carmet, distinctive) is a veterinarian (and senile) to the purpose of taking the injured individual for a… canine: “What’s race? », “Extracting a bullet? He swallowed the ball whereas taking part in? “. And right here he’s taking Depardieu’s temperature by pinching his nostril! After questioning if it would not be higher “prick it”, Monsieur Martin, the following day, locations a bowl and a few pâté on the bedside of the wounded man. Greater than three minutes of pure comedy, verbal and gestural, with a triangle of actors on the high of the primary diploma. —Guillemette Odicino

The militant occurring within the manufacturing facility in “My finest buddies”, by Jean-Marie Poiré (1989)


“Each whore, each pimp, each flower is a political prisoner. » Shoulder-length hair, flower energy look, Philippe Khorsand, wanting sore, raises his fist whereas his buddies (Bacri, Lanvin, Clavier and Louise Portal) try a disarticulated choreography, chanting protest slogans: “Free Sacco and Vanzetti”, “Free Billy the Child”… In one of many hilarious seventies flashbacks of this nice pal movie, the rebellious youth of the band of immature forties is embodied in a grandiose second of militant occurring within the manufacturing facility, between mantras, smoky artistico-political calls for and coup actions. fist completely off the plate. “When Antoine, to represent the dying of personal property, had crammed the foreman’s helmet with Amora mayonnaise, we needed to minimize the efficiency quick”, says Clavier’s voice-over, whereas we see the poles scampering like rabbits, chased by offended staff. — Hélène Marzolf

The assembly of the key companies on the Élysée in “Operation Corned Beef”, by Jean-Marie Poiré (1991)


We’re already bored. The shock staff of the DGSE – a stuffy boss and a loud spy – should clarify themselves on a crappy mission in Colombia, in François Mitterrand’s workplace, surrounded by his Labradors and a few bootlicking doggies, working specifically for DST. If the scene is so humorous, it is as a result of it hardly manages to exist: it bursts into all types of laughter. The dialogue, the appearing, the way in which of filming the president all the time at first, Jean-Marie Poiré has enjoyable and amuses us in all potential methods. He’s teasing, infantile, he practices boring humor like proficient pantomime, he goes to the nerve and Jean Reno like Jacques François observe him, quickly overtaken by Christian Clavier. All memorable. — Frederic Strauss

Negotiating with armor in “La Tour Montparnasse infernale”, by Charles Nemes (2001)


Two foolish, jolly window washers who usually bicker. One (Eric Judor) has 6 years of psychological age, the opposite (Ramzy Bedia) appears somewhat extra lucid, though. The 2 discover themselves caught within the web of a theft with hostage taking. On this parody of crystal lure and of The Infernal Tower, the absurd, the linguistic confusion and the cartoonish character make every sequence cult. Let’s select the one the place the zigotos have hidden in an armor that clutters them rattling a lot. In possession of a severed hand imagined to open the secure, they try to barter the weapon in hand with the hostage takers. This offers a extremely comedian dialogue the place Judor affords to slide his hand beneath the door in change for Marie-Joëlle (Marina Foïs), with whom he’s in love, and a ridiculous sum of money. “And above all no circle (sic) ! » he threatens. — Jacques Morice

Isabelle Huppert has a nosebleed in “Tip Prime”, by Serge Bozon (2013)

Isabelle Hupper in “Tip Prime”, policewoman with a reptile’s tongue.

R. Vaz Palma – Les Movies Pelléas – Iris Productions

On this little-known and severely absurd detective comedy, Isabelle Huppert indulges in deranged burlesque like she’s by no means finished earlier than, in a position to make use of the hood of her automobile as a plate for a meal. Summit, the hallucinating sequence the place the feminine cop, barely injured, reacts to a bleeding on her brow with a tactic of her personal: right here she is catching up in flight, along with her unreally agile tongue, reptile model, the drops of blood that fall… —Louis Guichard

“They add crispiness”, with Marc Fraize in “Problemos”, by Éric Judor (2017)


“We’re fed up with this client bubble by which they make us reside. Maaaarre! » When Monsieur Fraize chuckles, it is arduous to not agree with him. Particularly when he’s this zadist, in issues, whose very good diatribe, within the moonlight, analyzes the methods of the supermarkets to lure us. All Marc Fraize is there, on this expertise to play very significantly the highest of the derisory one, the zero diploma of the political indignation. Éric Judor highlights his actor’s efficiency by subtly giving him the road, and discovering the proper rhythm within the enhancing, between silences, approvals from different activists, the hoot of an owl to remind us how nature agrees with this which has been mentioned. It is as much as us to rant: “We’re fed up with all these comedies the place Mr. Fraize is absent from the forged. Maaaarre! » — Michel Bezbakh

The collective custody of a whole SM dungeon in “Freedom!”, by Pierre Salvadori (2019)


Deposition on the police station, reread in a flat {and professional} voice by “Inspector” Damien Bonnard: “I used to be going to my mom’s home, and I received the flawed ground. After they opened to me, the house owners of the premises […] compelled me to placed on this outfit. Canine collar and glossy black latex, the middle-aged gentleman sitting throughout from him nods, all in sorry dignity. In all places round him, different “witnesses” in full BDSM uniform, rounded up in the midst of an orgy, wander the premises, as incongruous as a parrot in a washer. The distinction is hilarious, one of many heights of quirky and wacky comedy (amongst many others), within the delectable Freely !, by Pierre Salvadori. We snicker a lot that we danger lacking the spotlight of the declarations on the respect of the gentleman with the canine collar: “The objects discovered on me and in me don’t belong to me. This can be a easy misunderstanding. » — Cecile Mury

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