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Philippe Lellouche stars in Francis Veber’s new comedy

Play Francis Veber, writer of the cult Dinner of idiotsof The Troublemaker and of so many comedies, on stage and within the cinema, is it to achieve the Holy Grail?
It’s the complete foot. When Francis Veber calls you to play in his new comedy, it is price a Cesar… It is a Holy Grail to be acknowledged by your friends. For me, there have been 4 comedy giants, Veber, Yves Robert, Jean-Loup Dabadie and Michel Audiard. Veber is the final alive, he impressed us, he invented a modernity in humor.

Comedy, nothing higher on this interval…
There may be nothing tougher than appearing; it is a story of rhythm, of music. An impact might be missed in a single sentence, a easy negation forgotten. There could also be comedies that we do not like, however after I see that tens of millions of individuals have seen The Tuches, I say that the guess is profitable. It’s not important. When it makes you chuckle, it feels good. You’ll be able to’t blame individuals who make you’re feeling good.
You camp Inspector Norbert Campana who finally ends up being put within the closet for his considerably brutal strategies. Extra inspector the burr than actual villain?
He is a cop who would not trouble with political correctness, he takes what he has to do too severely…

A succession of setbacks in a minimal of time: that is the humorous and acerbic look of Francis Veber in his new play, Le tourbillon. Images: Philippe-Caterina-Stephane-Aline.

“We stay in a whirlwind period the place you’re requested to assume in a different way, in a really quick time, in all topics”

The spring of The twister holds on this “explosive” assembly of characters like a journalist in the midst of melancholy after his resignation, his spouse who tries to place the items again collectively and your personal companion who dumps you to return out. Explosive, proper?
It is a reflection of at present’s society: individuals are overwhelmed by what they need to do. I’ve the impression that that is what Francis Veber portrays. He wished to say: “What a time!”, even when it means passing for an previous c… As a result of we stay in a whirlwind time the place you’re requested to assume in a different way, in a really quick time, in all topics.

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From police violence to the Meetoo motion, from post-Covid melancholy to new sexual behaviors: is Veber gently mocking our occasions?
He says, “The current age is an inkpot for a comic book author.” He is not fallacious. Belmondo, Delon had been cops who put pies on thugs. It did not shock anybody, whereas at present it is completely forbidden. It is because of this that my character doesn’t perceive, believing that he’s solely doing his job. . Since he has a low ceiling, it is not simple to elucidate to him. Afterwards, there are different topics such because the acceptance of all sexualities, and that is superb. However every part occurs immediately. We’re in the midst of a whirlwind society. That is what Veber’s play reveals.

Luckily, there’s laughter as an escape!
As all the time, as the opposite says: “I hurry to chuckle about it in order to not cry about it” And, infrequently, this places your finger on the absurdity of conditions.

“It is so good to really feel folks having enjoyable. Moreover, it is turn out to be so sophisticated on this period the place disasters are introduced to you day-after-day.”

“It is so good to really feel folks having enjoyable”

Might you resume The silly dinner or some other “should” of Veber?I might have liked it, however we reached new heights with Jacques Villeret within the function of François Pignon, with this scene the place he says: “Juste Leblanc”. He performs a toddler, a pleasant jerk, an enormous naive. We are going to by no means do higher.

If you play, you turn out to be a toddler once more…
Essentially the most touching factor a couple of comedy character is seeing the kid he was and will have been. I’ve an actual tenderness for these characters.

And making folks chuckle is in your DNA, being an everyday at boulevard comedies.
I find it irresistible, as a result of it is so good to really feel folks having enjoyable. Furthermore, it has turn out to be so sophisticated on this period the place disasters are introduced to you day-after-day. There are additionally good issues taking place that we must always concentrate on extra typically.

He turns into Serge Klarsfeld in Simone, the journey of the century

However, you additionally danger your self within the drama, having camped the lawyer, Nazi hunter, Serge Klarsfeld within the movie on Simone Veil, Simone, the journey of the century, by Olivier Dahan ?
I performed the function of a personality for whom I’ve monumental admiration. My nice satisfaction is that numerous my pals did not acknowledge me. Which means that one remains to be in a position to “disguise” behind a job. Performing via completely different roles is great, however I could not play solely idiots ten years in a row. It is time to go strive your self in different types and be requested by administrators who see in you the opportunity of doing various things. It is nice to be known as upon by a director who imagines you in one thing you hadn’t imagined.

For Serge Klarsfield: “We retain nothing of historical past”.
It’s true and appalling. The drama is probably not over. Right this moment, we resent a man, as a result of he thinks in a different way, as a result of he makes love in a different way,… It is appalling! Let folks stay and be free!

My brother and I: “Why not play collectively at some point?”

Gilles Lellouche, your brother, is on the cinema, and also you, Philippe, are on the theatre. Is there a division of duties?
That is one thing that we noticed not so way back. As if, naturally, we had left the bottom clear in every his personal area; there isn’t any calculation. Which is able to by no means stop my brother from going to the theater and me from the cinema. For me, the theater may be very time-consuming: there is not a 12 months that I have never been on stage. And I like that !

Initially, there’s a mad love for boards.
It is the enjoyment of telling a narrative to folks, in actual time and with no web. My brother and I might like to be collectively on stage. Even when it will be inconceivable to play something apart from brother roles. But when it occurred, we might each be completely satisfied to do it.

The whirlwind, by Francis Veber. With Philippe Lellouche, Caterina Murino, Stéphane Metzger and Aline Gaillot. On the Theater de La Madeleine, in Paris. Wednesdays, Thursdays, Fridays, Saturdays, at 9 p.m., and Saturdays and Sundays, at 4.30 p.m. Tel.01.42.65.07.09.

Olivier Bohin

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