Ladies are abused by Home of the Dragonvirtually as a lot as they have been in Sport Of Thrones. The sequence continues to perpetuate poisonous portrayals with pervasive violence towards girls, whereas hiding behind a pseudo-emphasis on feminine characters.
Traditionally, Sport Of Thrones marked the small display screen for a lot of fully legit causes by way of route and narrative building, however by no means shone in its illustration of girls. The sequence has even been singled out for its sexism. In query, scenes of repeated sexual violence, feminine nudity far superior to male nudity, the perpetuation of previous patterns of energy: in brief, the universe of George RR Martin and its transposition on HBO have been stuffed with poisonous clichés regarding girls.
We legitimately hoped that Home of the Dragon does higher on this space. Specifically as a result of the showrunners had themselves mentioned that they might not stage specific sexual violence. Sadly, after 5 episodes, the discovering just isn’t actually constructive.
Consideration, for the needs of this decryption, the remainder of the article comprises spoilers on the primary 5 episodes of Home of the Dragon.
Does the Home of the Dragon sequence hate girls?
From the primary episode, Home of the Dragon opens after about twenty minutes on a scene presupposed to be founding: a supply by cesarean, pressured, with out consent, on the choice of the king – Viserys – on the expense of his spouse Aemma, who then dies in childbirth in ache. The violence of the scene is complete, gradual and insufferable. The brutality just isn’t solely pictorial, it’s deeper. It’s on this relationship of energy – the bodily violence imposed on a girl – that Home of the Dragon settles down.
This episode was solely the start of a sequence of sequences the place male domination permeates type and content material:
- Episode 4 depicts a scene near marital rape: we see Alycent forcing herself into sexual activity with Viserys. The digicam insists on making it clear to us, Alycent takes no pleasure, doesn’t need the act. She even appears to be taken in disgust.
- The identical episode depends on the glamorization of an incest underneath management between an older man and a teenage woman; when Daemon seduces his niece Rhaenyra into purposely taking her to a brothel. The act is fully guided and chosen by this older man, though it doesn’t go all the way in which. The poisonous illustration goes even additional: it’s precisely after this scene that the younger woman appears to change into conscious of her sexual need and that hardly a couple of minutes later, she then seduces the knight Criston Cole. In hole, it will be because of her charismatic uncle that Rhaenyra would have found her sexuality. And it brings to thoughts the issue of Sansa’s remedy in Sport Of Thrones : the screenwriters had made him affirm that “ with out Littlefinger, with out Ramsay and the others, I might have remained a bit hen all my life “, whereas this one was manipulated by one, raped by the opposite.
- Additionally on this episode 4, the custom of Sport Of Thrones doesn’t change: the nudity represented within the brothel is 90% feminine, whereas nearly all of males stay clothed.
- Episode 5 opens with a very gratuitous feminicide: Daemon murders his spouse with stones. The explanation ? This disturbs his initiatives and, as he indicated in a earlier episode, he doesn’t prefer it. She is a weight in his eyes; she due to this fact deserves dying.
Daemon is, in the meantime, glamorized all through the sequence: his character could also be as violent as evil, the sequence manages to painting him as a pretty man.
And that is already quite a bit for a mid-season: the imbalance in energy relations is specific and girls are clearly mistreated by the sequence.
Violence towards girls is trivialized as a story instrument
Home of the Dragon makes use of the identical mechanics as Sport Of Thrones : to shock with a violence that will be justified by a medieval realism (this universe being, like many works of fantasy, based mostly on a medieval context). Besides that this realism is fake. Many medievalists have “debunked” this concept. Sport Of Thrones and Home of the Dragon don’t signify the Center Ages strictly talking.
This was defined, for instance, by Justine Breton, a specialist in each medieval historical past and fantasy, on the microphone of France Tradition in 2020: “ The writer of the literary saga George RR Martin after which the creators of the sequence have appealed to this declare of realism and authenticity, typically to clear themselves of accusations which will have been made to them; particularly once they needed to face criticism of sexism, the illustration of feminine characters, fairly often bare, and even the violence that was staged, and so on. Fairly often, they leaned on this concept of realism: ‘It’s not us, it’s the Center Ages which was like that and we’re solely transmitting this picture’. However really, it isn’t a real picture of the Center Ages, which isn’t any extra violent than our time. »
Briefly: the violence of the universe of Sport Of Thrones is a story alternative and never imposed by the medieval context. Because of this the identical goes for using violence towards girls as scriptwriting instruments. The discovering is sort of worrying, nonetheless in 2022, for one of the vital watched TV sequence on the earth.
Intercourse and violence in a universe of gritty fantasy, It is a factor. Sexist and sexual violence is one other. Ineffective, due to this fact, to invoke the concern of any “smoothing”. That misogyny can also be structurally current within the smallest screenplay springs is barely the perpetuation of an imagery that we want to do away with. And sure: fiction performs a task, by definition, in imaginations, which in flip have an effect on society.